ViICKY DENNISON
Artworks available
ViICKY DENNISON

I am an established South Australian artist living and working in the Adelaide Hills and Coorong. My visual art study and practice, specialising in art photography and printmaking, began while still working as a social worker and community arts worker.
As a social worker, a strong component of my work was the development and advocacy for creative arts projects including public murals, art exhibitions and photography projects. In many respects the last 5 years of my social work practice, working with residents of Supported Residential Facilities (SRF) gave me a greater understanding of the interrelationships between creative arts, health and well being. My primary focus was to engage people experiencing mental health issues and promote positive health outcomes through visual art expression that can assist with anxiety, depression and stress common in the SRF cohort.
As a communication tool, art gives people the chance to uncover and address emotions and conflicts affecting their lives. My visual art degree assisted greatly in facilitating workshops on a practical level while assisting with agency publications and reports through my documentary photography. I believe my social work background and social justice interests has culminated in a richer approach to my work and a greater cultural awareness, that informs my work as an artist in my practice today.
Since leaving social work I have been developing my art steadily and have produced works mostly involving photography and printmaking. I have exhibited in several SALA group exhibitions, one solo exhibit and one SALA on-line exhibit. I won the Adelaide Hills Natural Heritage Art Prize, 2013 and have been a finalist in the Hahndorf Academy, Heysen Prize, 2020 and Heysen Landscape Prize, 2022.
Though my work is varied in subject, I believe I maintain a unique visual literacy and an ability to see visual relationships that help create a cohesive image, often with an emphasis on storytelling or an editorial focus. I am always exploring new mediums and processes to compliment my art practice.
How long have you been a photographic artist, and what was the journey you took to get to where you are today?
As a child my mother would always take photographs of family gatherings and parties with friends. Initially it was with a Kodak Brownie Model 1 box camera, then Kodak Instamatics, both 126 and 110. By the early 70’s she was using a polaroid land camera, and then I received one for my 16th birthday. At that stage it was very much a hobby, although from an early age my mother had instilled in me that excitement that comes with getting a role of film back from the lab, seeing the photographs, good or not, and sharing those moments with friends and family. In my 20’s I moved into a share house where one of the occupants had been studying photography at uni. I began to think differently about what I could do with the medium, as a form of personal or artistic expression. I bought a second hand olympus om-1 and also had access to a darkroom and began to learn the basics of darkroom printing. For a time I played with photography as a hobby but my eventual studies at university took me in another direction entirely and I graduated in my new career as a Social Worker. It was in my later years of work however, while working in the mental health sector, that I began to focus more on engaging clients with visual art activities so as to promote positive health outcomes and a sense of wellbeing. As a communication tool I recognised that art gave clients the space to address emotions and conflict associated with stress, anxiety and depression common in the sector. I facilitated workshops that culminated in art exhibitions and photographic projects. I began to use my photography again as a way of recording activities for agency publications and documentary reports and analysis. I even left social work for a time and went and did a visual arts degree, intitially in photography, then printmaking which inevitably assisted in facilitating workshops on a practical level, while giving me a greater understanding of the relationships between creative arts and an opportunity for self expression. I believe my social work background and interests in social justice and advocacy has developed a broader approach and cultural awareness in my art. Since leaving social work I’ve been slowly developing my art practice and I enjoy exploring new mediums and alternative processes to compliment my photography.
As part of Select 18, could you speak to your relationship with the printed photographic image, and the collaborative process you undertake when printing with David at Master of Prints?
I had always done my own printing, and although fairly unsophisticated in what I produced at home, there has always been a magic in the printed image for me. When I decided to have my images professionally printed a photographer friend recommended David Hobbs. On meeting David for the first time I was immediately impressed by his passion for photography as an art form, and the printed image itself. One can’t help but be drawn in, and excited by his enthusiasm for the craft and his vast knowledge and expertise in the field. After working with him on my first image I discovered a whole new way of seeing my work, and what was possible in the printing process. As a master printer, David nurtures the most wonderful relationships with the artists in Select 18. Relationships that inspire, as he carefully and generously aims to understand the intent behind the work, and then sets about applying his skills and experience so as to bring your images to their full potential. He’s my main collaborator!
What do you see as the future of your photographic art, both within the Select 18 collective, and beyond?
Well firstly I feel privileged to have been invited to join Select 18 and look forward to developing further as an artist and art photographer. I see it as a great opportunity to bring greater exposure to my work, as well as collaborate with other fine artists and enhance my own skill base, while broadening my networks. And Beyond? Well we’ll have to see..As it stands I’m still excited to be doing what I do and I like exploring new ways of playing with the photographic art form. Anything is possible, watch this space…